Movements borrowed from Beyoncé, Nijinsky and others. Fragments that circulate, transform and reassemble themselves in real time. With *Un spectacle que la loi considérera comme mien*, Olga Dukhovna explores what distinguishes inspiration from plagiarism and questions the very notion of originality in dance.
Accompanied by the lawyer Pauline Léger, she turns the law into an unexpected partner in play. Navigating the boundaries between what can be done, transformed or reproduced, the piece explores the limits of creation and gives rise to a unique dance, inspired by a thousand others. A reflection that is as precise as it is playful on what it means to create today.
